#gittermangallery

Instagram photos and videos

#gittermangallery#herbertmatter#khalikallah#streetphotography#kleamckenna#altprocess#giacometti#newyork#harlem#nyc#contemporaryart#lexingtonavenue#provincetown#125thstreet#alexandercalder#mercedesmatter#whyimnolongertalkingtowhitepeopleaboutrace#soulsagainsttheconcrete#universityoftexaspress#mustsee#midtowngalleries

Hashtags #gittermangallery for Instagram

by @gittermangallery

KLEA McKENNA: Generation opens Wednesday, September 12, 6-8 pm

@klea_mckenna , Imperfect Offering (2), 2018
Gelatin silver print; unique photogram with impression, 71 x 40 in. (180.3 x 101.6 cm)
Impression of fragment of silk tapestry embroidered with gold-wrapped thread. China, 1890s.
2nd image is a detail

#kleamckenna #gittermangallery #contemporaryart #altprocess

Gitterman Gallery
2

by @photographmag

Generation by Klea McKenna opens @gittermangallery on Wednesday September 12 with a reception from 6–8 pm.⠀

The show presents the artist’s new work alongside images from two previous series Automatic Earth and Web Studies. Each series is characterized by her use of photograms, emphasizing the strong relationship between the physical contact and the light sensitive printing surface.⠀

The show, running in conjunction with another exhibition of her work in Los Angeles at @vonlintelgallery (through October 20th), will be open through November 10.⠀
・⠀
📷Klea McKenna, Your Eyes Aren't Eyes. They're Bees (1), 2018. Courtesy Gitterman Gallery.⠀
・⠀
#gittermangallery #show #kleamckenna #photography #exhibition #newyork #photographmag

New York, New York
7

by @gittermangallery

KLEA McKENNA: GENERATION opens Wednesday, September 12, 6-8 pm
Paint Me Bare (3), 2018
Toned gelatin silver print; unique photogram with impression of 48 nylon stockings (United States, 1950s-1960s) 
36 1/2 x 42 1/2 in. (92.7 x 108 cm)

@klea_mckenna #kleamckenna #gittermangallery #nylonstockings

Gitterman Gallery
3

by @gittermangallery

Gitterman Gallery is proud to present an exhibition of contemporary work by Klea McKenna. The exhibition opens on Wednesday, September 12th from 6–8 p.m. and continues through Saturday, November 10th.
This exhibition marks her first solo show in New York and the beginning of her representation by Gitterman Gallery. It is presented in association with Von Lintel Gallery in Los Angeles where McKenna will have a concurrent exhibition from September 7th through October 20th.

The exhibition presents McKenna's most recent work Generation alongside work from two of her previous series Automatic Earth and Web Studies. With each series, McKenna uses the photogram process innovatively to create unique gelatin silver prints that contain both vivid detail and ethereal abstraction. She pays homage to her subject's histories while re-animating them through her engagement, revealing nuance, depth and energy.

To read more please visit our site under NEWS

Klea McKenna, Snakes in the Garden, 2018, Gelatin silver print; unique photogram with impression, 39 3/4 x 36 1/2, Impression of a salvaged fringe of a silk piano shawl or Manton de Manila. Spain via China and the Philippines, 1890s.

#kleamckenna #gittermangallery #photogram #altprocess #contemporaryart @klea_mckenna

Gitterman Gallery
0

by @klea_mckenna

I’m excited to announce that I’m now showing with @gittermangallery in NY. I’ll have a solo show, Generation, opening both there and at @vonlintelgallery in LA this September. I’ve been busy!
.
.
.
“Snakes in the Garden” unique photographic relief/photogram. Selenium toned. 40x37 inches.
.
.

#womenartists #photographicrelief #photographicrubbings #photogram #altprocess #kleamckenna #fashionhistory #mantondemanila #gittermangallery


22

by @gittermangallery

Kenneth Josephson, Chicago, 1961

#kennethjosephson #gittermangallery

Gitterman Gallery
3

by @gittermangallery

Peter Hujar, Andrew, c. 1980

#peterhujar #gittermangallery

Gitterman Gallery
0

by @gittermangallery

Allen Frame, Alfredo, Mexico City, 2008

#allenframe #gittermangallery

Gitterman Gallery
3

by @gittermangallery

Debbie Fleming Caffery, Father and Son, 2005

#debbieflemingcaffery #gittermangallery #postkatrina

Gitterman Gallery
2

by @gittermangallery

Josef Breitenbach, Patricia, New York, 1942

#josefbreitenbach #gittermangallery.com

Gitterman Gallery
1

by @gittermangallery

Adam Bartos, Kenya (lamp and pitcher), 1980

#adambartos #gittermangallery

Gitterman Gallery
0

by @gittermangallery

Roswell Angier, Indian Head Bar, Holbrook, Arizona, 1980

#roswellangier #gittermangallery

Gitterman Gallery
0

by @gittermangallery

Herbert Matter, Mark Rothko, c. 1965

#herbertmatter #markrothko #gittermangallery

Gitterman Gallery
2

by @gittermangallery

Herbert Matter, In Giacometti's Studio, 1960-1965

#herbertmatter #giacometti #gittermangallery

Gitterman Gallery
2

by @gittermangallery

Herbert Matter, Alexander Calder in his New York City storefront studio, winter, 1936

#calder #alexandercalder #herbertmatter #gittermangallery

Gitterman Gallery
1

by @gittermangallery

Herbert Matter, Alberto Giacometti, 1965

#giacometti #herbertmatter #gittermangallery

Gitterman Gallery
4

by @gittermangallery

Herbert Matter, Untitled (Alexander Calder hanging mobile in motion), 1936

#herbertmatter #alexandercalder #gittermangallery

Gitterman Gallery
0

by @bureauofsurrealistresearch

Maurice Tabard was born in Lyon, France. He studied at the New York Institute of Photography in New York and worked as a portrait photographer. Tabard returned to France in 1927, where he connected with many influential artists. He created Surrealist compositions, incorporating solarization, superimposition and photomontage; his work was included in the landmark 1929 Film und Foto exhibition. Tabard contributed fashion and advertisement photographs to numerous magazines, including Harper’s Bazaar under Alexey Brodovitch. #MauriceTabard #bureauofsurrealistresearch #gittermangallery

Saint Petersburg, Florida
0

by @tprgallery

Cnt’d from previous post.... The photographs in this book go beyond ‘good’ or ‘bad’ photography, whether you like them or not is irrelevant. These are important photographs because they give their subjects a stage on which to stand, a stage on which to be seen and acknowledged. This books gives voice to the voiceless with tenderness and open heartedness by an artist who is there on the corner of 125th and Lexington, not only as a photographer, but as a human being, engaging and showing interest in other human beings. Khalik’s book of photographs is accompanied by a film ‘Field Ni**as’, which I’m hoping to watch soon. This body of work is particularly moving after having just read ‘Why I’m No Longer Talking to White People About Race’ by Reni Eddo-Lodge. As a white male, thinking and talking about structural racism and prejudice is something I (we) have an obligation to do, and this work for me is definitely a part of that process of trying to come to terms with my own white privilege and those whose skin colour makes life that much harder. This is a book not only about the people of 125th and Lexington in Harlem, New York; this is a book about black history, slavery and white privilege the world over, and we all need to start talking about it more. Get yourself a copy of both of these books if you can. Prints of Khalik’s work are available through Gitterman Gallery in New York, where he recently had an exhibition, and the book is available though numerous different channels. #khalikallah #soulsagainsttheconcrete #gittermangallery @gittermangallery #blackamerica #harlem #streetphotography #renieddolodge @renieddolodge #NYC #newyork #whyimnolongertalkingtowhitepeopleaboutrace #racerelations #universityoftexaspress #125thstreet #lexingtonavenue


0

by @tprgallery

‘Khalik Allah - Souls Against the Concrete’ published in 2017 by University of Texas Press. Photographing on one street corner night after night over a three year period, Khalik presents a selection of 105 photographs that empathetically engage with some of the local habitants of Harlem, New York. This work hits me in the solar plexus with its openness, closeness and directness. There is no fly-in, fly-out voyeurism here; Khalik is photographing his contemporaries, the ‘field-ni**as’ (as he states), of which he categorically includes himself. This area became Khalik’s stomping ground, where people came to know and accept him ‘I knew everyone on that corner by name, and they all knew me’. Khalik has produced a body of work that opens our eyes - and hopefully our hearts - to the people who do it tough; those who are in and out of jail, many struggling with addiction and mental illness, the down trodden members of society (almost exclusively black) who so often are ignored by society. The subjects of these photographs are the people who you won’t engage with on your holiday to New York, they are the ones many of us actively try to ignore or to pass by without any form of verbal, or even non-verbal communication. This book testifies to the nature and existence of a part of America that we won’t see in the nightly news, part of American society that does not warrant attention from the fat cats in Trump’s white, racist administration. Continued in next post.... #khalikallah #soulsagainsttheconcrete #gittermangallery @gittermangallery #blackamerica #harlem #streetphotography #renieddolodge @renieddolodge #NYC #newyork #whyimnolongertalkingtowhitepeopleaboutrace #racerelations #universityoftexaspress #125thstreet #lexingtonavenue


9

by @gittermangallery

Last day of #khalikallah exhibition

Khalik Allah, Untitled, 125th Street, 2014

#gittermangallery

Gitterman Gallery
10

by @ameyerowitzadvisory

I found #KhalikAllah’s portraits made in and around 125th St to be arresting and hauntingly beautiful @gittermangallery Tomorrow’s the last day to check out this #mustsee show. 💥⚡️ #midtowngalleries #streetphotography #portraitphotography #colorphotography #gittermangallery

Gitterman Gallery
0