Again and again grateful!
“I must note that there is one caveat to the assessment above: Aris Argiris’ Rigoletto. Throughout the performance, even the first act, the Baritone was exceptional. Aris Argiris’ voice is rich, and developed; his cadence is requisitely sombre but still manages to have a whimsical bounce. Even as I write this, days later, ‘Povero Rigoletto’ is stuck in my head. Indeed, a large part of me believes that the transformation we see in the other characters stems from their absorption of Argiris’ zeal through operatic osmosis.
In the Scottish Opera’s rendition of Rigoletto, we see Rigoletto at his best while the pit and the rest of the cast follow his lead – and perhaps that’s just how Verdi wanted it.”
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