#Repost , #Finally #SpeakingInDance | "Within this is 9 aboriginal footworks from Australia," said the choreographer @mariaa_randall of "Footwork/Technique" which she perform(ed) at @performancespacenewyork on January 10. Part of KIN, a series curated by @emilyjohnsoncatalyst under the umbrella of First Nations Dialogues, this intimate look at aboriginal footwork is a form of land acknowledgment, paying tribute to the native inhabitants of a place. There's a technical side, too; Mariaa, who belongs to the Bundjalung and Yaegl people of the Far North Coast of New Sound Wales, has had some strict teachers over the years. "It's always 'Get lower, get lower'," she told the @nytimes writer @giadk. "Then I saw my tutor dance, and it was like she just hovered. It was amazing. I was like, OK, this is what it's supposed to be." @emonhassan made this video for #SpeakinginDance, our weekly series exploring the world of #dance.
#LandAcknowledgment #IndigenousRising #FirstNationsDialogues #FND2019
Footwork/Technique was Produced by Performance Space New York as part of KIN, curated by Emily Johnson, in partnership with First Nations Dialogues, BlakDance, Global First Nations Performance Network, and American Realness. Supported by the Barragga Bay Fund with additional support by the Australian Government through the Australia Council for the Arts, its arts funding and advisory body.