One of the relief prints I've been working on this passed term. Carved from lino.
There were no particular contexts or subject matter involved in the process of carving this work. Instead I just practiced an intuitive flow in the creation of the image itself, trying to instill some dynamic sense of motion.
The abstract nature of the print appeared to me as a playful invitation to try and piece the arbitrariness into a perhaps more cohesive image, hence the title. The flows and interactions possesses a somewhat soothing, therapeutic order within my personal perception.
1/100: Grateful for green summer leaves, and seeing my clients connect with nature by using them to make prints today. Also, I made this last night but had to wait for this morning to get a good photo ♀️ #100daysofgratitudetags#the100dayproject#continued
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Preparing some practice blocks for the Moku Hanga workshop this August at The Clearing Folk School. Carving out these blocks will be a great way for students to familiarize themselves with the tools.
Tissue thin tengucho paper, brushed with Sumi ink, is glued to a dampened block of shina plywood (@mcclains.printmaking.supplies ) using nori rice paste. Students will practice carving out the image, getting a feel for the wood, as well as the Japanese carving tools, before later designing and cutting out their own, original design.
What I love about this exercise is seeing how everyone starts out with the same image but, thru the process of carving and printing, they end up with very different results, each their own.
Prezes #SMTG i cześć laureatów podczas symbolicznej lampki szampana po Gali #MTG2018. Pełna relacja na naszych stronach www i FB [link w profilu].
SMTG President and some laureates during the toast after the Gala. Full reportage on our website and FB [link in profile] @stanbaranski
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