T O N Y M A L O N Y@tony__malony

Not too political, nothing too clever & really bored. 🌙

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Art and spirituality were deeply entwined in ancient Egypt. Religion was interwoven, not only into the Pharaohs power, but into life itself. It was the deity of a town who the people turned to, in order to prevent the everyday hazards of living. They used magic spells, charms, folklore and amulets to appeal to the deity for protection against hazards, and to intercede on their behalf, for anything from the Nile flooding, to sowing seeds and harvesting crops, to protection from poisonous snakes, and for safe childbirth. The temples were the focal point for ceremonies, offerings and art. The walls were usually covered in symbols, hieroglyphics and paintings, which documented their history, life and spiritual structures and beliefs.Egypt---Luxor wall relief figure art

Keen observation and exact representation of actual life and nature, and strict conformity to a set of rules regarding representation of three dimensional forms dominated the character and style of the art of ancient Egypt. In order to clearly define the social hierarchy of a situation, figures were drawn to sizes based not on their distance from the painter’s point of view, but on relative importance. For instance, the Pharaoh would be drawn as the largest figure in a painting no matter where he was situated, and a greater God would be drawn larger than a lesser god.

The Ancient Egyptian art style known as Amarna Art was a style of art that was adopted in the Amarna Period (i.e. during and just after the reign of Akhenaten in the late Eighteenth Dynasty, and is noticeably different from more conventional Egyptian art styles.

It is characterized by a sense of movement and activity in images, with figures having raised heads, many figures overlapping and many scenes being crowded and busy. The most admired artists were those who replicated the stylized depictions of Egypt’s most venerated figures. #tonymalony #home #interior #decor #retro
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'Kaschey the Immortal (Кащей Бессмертный, translit. Kashchey bessmertnyy) , directed by Aleksandr Rou, USSR, 1944 #tonymalony #home #interior #decor #retro
#inspiration #photo #design #beauty #imperfection #imagination #art #poet #poetry #sounds #architecture #antiques #philosophy #numbers #magic #harmony #music


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G. Zelma , 'The Motherland Calls!', Volgograd, 1970

The Motherland Calls (Russian: Родина-мать зовёт!, tr. Rodina-mat' zavyot!, lit. Homeland-Mother Is Calling!) is the compositional center of the monument-ensemble "Heroes of the Battle of Stalingrad" on Mamayev Kurgan in Volgograd, Russia. It was designed by sculptor Yevgeny Vuchetich and structural engineer Nikolai Nikitin, and declared the tallest statue in the world in 1967. It is the tallest statue in Europe, the tallest statue (excluding any pedestal) of a woman in the world and the tallest freestanding non-religious statue in the world. - Wikipedia 'In 1967, the Soviet Union dedicated a towering monument to one of its great World War II triumphs. The Motherland Calls stands 170 ft., hoisting a sword to the sky that measures another 108 ft. 200 steps lead to the base of the statue to commemorate the 200 day battle of Stalingrad where the Red Army broke a German siege, only to surround and defeat the invading army. Motherland is not fixed to her base, though, and seeping groundwater has caused the plinth to lean nearly eight inches. Russian officials worry that if she leans any further, she may topple. ' - Time #tonymalony #home #interior #decor #retro
#inspiration #photo #design #beauty #imperfection #imagination #art #poet #poetry #sounds #architecture #antiques #philosophy #numbers #magic #harmony #music


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